By Chris Luckett
Today’s sole film was also arguably its
most widely anticipated. Among other accolades, The Intouchables won Best Actor at the Cesar Awards, was nominated
for another eight Cesars, and is the only film of the 2012 AGH BMO World Film
Festival to be on IMDb’s elite Top 250 list. Is it worth the hype? For the most
part, actually, yes.
Image property of Alliance Films |
The
Intouchables tells the story of Philippe (Francois
Cluzet), an incredibly wealthy quadriplegic who needs to hire a new live-in caretaker.
Despite all the “qualified” applicants, Philippe chooses to hire Driss (Omar
Sy), a young man who only showed up to get a signature for welfare. The two
form the kind of unlikely friendship that’s pretty likely in movies like this.
If I can lobby a criticism against the
movie, it’s that it tries too hard to be a people-pleaser. It unfortunately
sometimes slips into the treacly territory of saccharine bonding flicks like The Bucket List or Finding Forrester. And between the two leads, the movie is able to
be marketed towards white people, black people, rich people, poor people, old
people, young people, and people with disabilities. It’s very convenient when
movies are able to reach every conceivable demographic.
That said, it’s really more of a quibble
than anything. The movie is a wondrously fun experience, even when things get
sad. While there are definite weaknesses to being a feel-good movie, there are
also perks; when it works well, it takes you through a range of emotions and
leaves you fulfilled. The Intouchables
will make you laugh, and it will make you cry, and by the end, it will make you
feel good.
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