007 DAYS OF JAMES BOND
As a seven-part feature, I’ll be counting
down the final week to Skyfall’s
release in North American theatres on Nov. 9 with seven James Bond-related
articles.
DAY 7 – FROM WORST TO FIRST (PART 3)
By Chris Luckett
Some critics bash action movies too much.
While movies like Transformers and Wanted do give the genre a bad name,
there’s a fine art to crafting a really good action movie. The best ones supersede
their preposterousness (or, sometimes, winkingly embrace it) and create an
exciting experience with every cinematic piston firing in just the right
rhythm.
The Bond series was one of the first to
perfect the formula, and the best ones work so well, there’s no question why
007 has become one of the most beloved characters in cinema. The seven best
examples:
(Fair
warning: major spoilers ahead)
7.
From Russia, with Love (1963)
Bond: Sean Connery
Villain: Rosa Klebb (Lotte Lenya)
Maniacal
Plot: To get revenge on 007 for foiling Dr. No’s
plan, Klebb plans to use a Lektor device and a fake Russian defector to lure
Bond to his death.
Verdict:
Where Dr. No
faltered, From Russia, with Love
soars. The second entry in the series is the first to truly show how exciting a
story a James Bond adventure can be. Connery feels more at home in the role the
second time around, accepting the role as his own. Aided by a script so
perfectly structured, it set the template for most of the other Bond movies
that came after, From Russia, with Love
is a tense thriller of narrow escapes and double-crosses.
Rating: 4.5 / 5
6.
Licence to Kill (1989)
Bond: Timothy Dalton
Villain: Franz Sanchez (Robert Davi)
Maniacal
Plot: There isn’t one. In a radical change, Licence to Kill is a pure revenge
thriller, with Bond going rogue from MI6 and seeking his own justice.
Verdict: Licence to Kill has
immensely improved upon time and retrospect. At the time of its release in
1989, it was disliked by many and labelled as too dark and too violent. When
you adjust all the Bond movies’ box office numbers for inflation, in fact, Licence to Kill ends up proving to be the
lowest-grossing of any 007 picture. The biggest problem was that its brutality
and relentless action were too ahead of their time in the late ‘80s. It was a
very different toned movie compared to the Roger Moore 007 movies, or even to The Living Daylights, but it’s a
spiritual older brother to the Daniel Craig ones. The concept of a villain being
hunted by a vendetta-minded James Bond is excellent fodder for a sleek
thriller, and Licence to Kill ends up
one of the most thrilling of the series.
Rating: 4.5 / 5
5.
On Her Majesty’s Secret Service (1969)
Bond: George Lazenby
Villain:
Ernst Stavro Blofeld (Telly Savalas)
Maniacal
Plot: Blofeld plans to sterilize the world’s
agriculture and food supplies unless he is given international amnesty from his
previous criminal plots.
Verdict: It’s easy to think of George Lazenby as the Ringo of Bonds, but his
short tenure in 007’s tux is no reflection of his skill in the role, nor of the
quality of the movie itself. Lazenby is the equal to early Roger Moore in
performance, and has an enjoyable time in the role while still giving it the
gravitas it requires – especially in the shocking ending, where Bond
experiences true loss and utter despair unexpected in a Bond movie. Telly
Savalas gives a vivacious performance as Blofeld, having a blast and letting
the character’s arrogance bleed into charm. Delivering great action sequences, fantastic
performances, and concluding with the most powerful ending of any Bond film, On Her Majesty’s Secret Service is
essential viewing.
4.
Goldfinger (1964)
Bond: Sean Connery
Villain: Auric Goldfinger (Gert Frobe)
Maniacal
Plot: Goldfinger plans to irradiate all the gold in
Fort Knox – save for what he will steal first – thereby driving the price of
his own gold up.
Verdict:
Goldfinger is undoubtedly the barometer against which any Bond movie is inevitably
measured. In a way, that’s understandable, considering it set so many early
benchmarks and hallmarks for the series. Not many Bond movies come close to Goldfinger, and although a few have even
surpassed it, it’s still considered by a large number to be the best. So many
memorable characters (with clever names like Oddjob or Pussy Galore) and
quotable lines (“No, Mr. Bond, I
expect you to die!”) add up to a
near-perfect movie. It may not still deserve the title of Best Bond Picture
after time has treated some parts of it pretty unkindly (“That’s just as bad as
listening to the Beatles without earmuffs,” scoffs Bond at one point), but it’s
still... well, the gold standard.
Rating: 4.5 / 5
3.
Casino Royale (2006)
Bond:
Daniel Craig
Villain: Le Chiffre (Mads Mikkelsen)
Maniacal
Plot: Le Chiffre, a mathematical genius and banker
for terrorists who gambles and unexpectedly loses his clients’ money, plans to
win a high-stakes poker game to pay them back and save his life.
Verdict:
As beloved as it’s already become, it’s easy to
forget that audiences greeted Casino
Royale with fangs bared. The casting of the blond Daniel Craig was
considered blasphemous by many and some, who had been displeased with the prior
Die Another Day, felt they had no need
for or interest in James Bond anymore. By taking the series back to its roots,
however – and by re-hiring GoldenEye
director Martin Campbell to deliver his alchemical formula for action again – the
reboot became a massive success and re-invigorated the character in a more
drastic way than any previous Bond recasting had managed. Doing away with the
tongue-in-cheek winks, the double entendres, the clever names, and even the
humourous concept of Q, Casino Royale
does feel more heartless and mechanical at times than previous Bond movies – a
symptomatic result of its heavy influence by
The Bourne Supremacy. By the end, though, the third act’s gut-punch makes
Craig’s 007 feel more human than the character ever has, even if he’s not the
James Bond we all knew and loved.
Rating: 4.5 / 5
2.
The Spy Who Loved Me (1977)
Bond: Roger Moore
Villain:
Carl Stromberg (Curd Jurgens)
Maniacal
Plot: Having built an underwater lair, Stromberg
plans to start a nuclear war and let the world destroy itself, while he creates
the perfect society underwater.
Verdict:
Any Roger Moore defenders always bring up The Spy who Loved Me, and with fair
reason: It is a rare perfect Bond movie. From start to finish it is flawless,
using every successful Goldfinger facet,
but often slightly improving them. Carl Stromberg, while having a less
memorable name than Auric Goldfinger, proves far more dastardly and wicked, with
a megalomania that surpasses Blofeld’s. His henchman, Jaws, instantly become
one of the most menacing and memorable characters in the whole series. Jetting
from Austria to Egypt to Russia and Sardinia and even under the ocean, The Spy who Loved Me is a wild ride that
doesn’t let up and has only been topped by one other Bond movie...
Rating:
5 / 5
1.
GoldenEye (1995)
Bond: Pierce Brosnan
Villain: Alec Trevelyan/006 (Sean Bean)
Maniacal
Plot: Trevelyan, a former 00-agent for MI6, plots
to take his revenge by firing an electromagnetic pulse at England’s computers,
financial records, banks, and credit card companies, thereby sending the
country into chaos and anarchy.
Verdict: James Bond, as a concept, as a character, as a film series, has
never been better than in 1995’s GoldenEye.
After a six-year absence from screens after 1989’s Licence to Kill and the end of the Cold War, a growing consensus
was that James Bond wouldn’t work anymore. Pierce Brosnan’s pitch-perfect
balance of Sean Connery’s suave masculinity and Roger Moore’s tongue-in-cheek
smirk created a new 007 for a new generation’s sensibility. The movie had fun
toying aloud with the theory of Bond outliving his usefulness, from the
now-female M calling him a misogynist dinosaur to Trevelyan’s cutting comments
to a captive Bond. (“Oh please, James, spare me the Freud! I might as well ask
you if all the vodka martinis ever silence the screams of the men you’ve
killed. Of if you find forgiveness in the arms of those willing women, for all
the dead ones you failed to protect.”) Sean Bean finds the perfect tone for
Trevelyan, not pushing the character into maniac territory but instead showing
him as the flip side of the coin to James Bond. Indeed, some of the tensest
moments of the film result from 006 knowing 007 well enough to anticipate his
nearly every move. A wonderful examination of one of the most popular characters
of cinema through battling his mirror opposite, GoldenEye reinvented a decades-old formula and remodelled the
character and the series for the new millennium. (Plus, a tank smashes up a
bunch of stuff!)
Rating: 5/5
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