By Chris Luckett
Photo credit: Just Jared |
I met Roger Ebert once. It was in the fall
of 2008, on the heels of the release of his book “Scorsese.” I went to a book
signing of his with a friend of mine, and after a long wait in line, I found
myself face-to-face with the man who’d shaped my love of movies more than any
other and who ultimately inspired me to become a film critic.
It was a bittersweet experience. Meeting
your idol is a blessing not everyone receives and I was thrilled at the
opportunity. At the same time, when I did finally get to approach and speak to
him, he seemed a shadow of the man I had grown up watching and reading.
After a strenuous bout with thyroid cancer
and repeated surgeries, part of Ebert’s jaw had been removed and he had lost
the ability to speak. While I had known of this – it was the reason he had left
“Ebert & Roeper” two years earlier – seeing the titan I’d built up in my
head looking so humbled and weak was a jarring experience I wasn’t really ready
for.
Many people so close to retirement age and hit
with such devastating health issues would retreat and quietly fade away. But
not Roger Ebert. This was a man who won a Pulitzer Prize for film criticism.
Photo credit: The New York Times |
By the 2000s, he was probably most recognized
for his TV shows with fellow critics Gene Siskel and Richard Roeper, but he had
remained a practicing film critic in writing, as well. While losing the
confidence and health to host a TV program was unfortunate, Ebert just used
that as a catalyst to pour all his passion back into the written word.
His passion was always, in my opinion, what
made him such a good critic. He was at his best when he either loved a film or downright
hated it. He took just as much pleasure in ripping a horrible movie to pieces
as he did effusing over modern masterpieces. Even when you didn’t agree with
Ebert’s opinion, he argued his case so well and with such vigour that it always
made for great articles and TV segments.
I think Ebert’s enthusiasm for films was
the true proof of his mettle as a critic. He wasn’t just reviewing movies for a
paycheque. He wasn’t counting down the years until retirement. Pauline Kael,
another titan of film criticism, retired in 1991 from writing reviews because
she lost her love of the medium. But for Ebert, his love of film was exactly
what kept him going.
Photo credit: Chris Luckett |
I only had the pleasure of meeting Roger that
one time. Looking back, I can’t believe I didn’t appreciate the true honour in
getting to speak to him; I was so caught up in the disappointment of not having
met him back when I could have conversed with him, I failed to realize just how
lucky I was to meet him at all.
I guess I always figured I would have that
chance again. In some part of my mind, I never truly could fathom a world where
I couldn’t read a new Ebert review. He was synonymous with the very profession
of film criticism.
There will never be another Roger Ebert, but
his impact will forever be felt. Anytime someone records a movie review for TV
or YouTube, anytime a person gives something “two thumbs up,” anytime someone
just has a heated discussion or argument with someone about a movie they’ve
just seen, his lasting legacy is present.
Roger Ebert reviewed movies purely because
he loved them. And in the process, he made the world love movies just a little
bit more.
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