By Chris Luckett
2 stars out of 5
Photo: Paramount Pictures |
When Borat
came out in 2006, it was one of those shifts in comedy that often heralds a
new age and style of humour. Many waited to see what would follow. Audiences
got Brüno… and that was it.
The reason Sacha Baron Cohen’s brand of
prank comedy didn’t take off was because it’s very hard to do well. What
separated Cohen’s movies from the comedy of The
Tom Green Show or Just for Laughs!
Gags were his talent, his daring ability to goad unwitting people, and his
sheer devotion to the bit. Johnny Knoxville, though, is no Sacha Baron Cohen.
Knoxville, star of three Jackass movies and a TV show, has always
been great at committing to a bit, but he doesn’t have much acting talent – he
looks 80 here, but still sounds and acts 40 – which hurts the movie whenever it
wastes time on its irrelevant plot.
Photo: Paramount Pictures |
Knoxville plays Irving, a salacious
octogenarian whose wife has just passed away and who’s tasked with driving his
eight-year-old grandson Billy (the remarkably funny Jackson Nicoll) across the
country. Everywhere they stop, a pre-planned catastrophe of awkward
embarrassment or graphic injury awaits. The hook of these scenes is that only
Knoxville and Nicoll know they’re being filmed by hidden cameras. Everyone else
reacts unaware they are in a movie.
The prank scenes provide the laughs of the
movie, although far fewer than would be hoped for considering Knoxville’s
history. (Many scenes just don’t go far enough in luring the pranked people
into the movie. Knoxville’s character knocks over a string of bikers' motorcycles and flees; Sacha Baron Cohen would’ve knocked them over and stuck
around for the awkward confrontation.)
Photo: Paramount Pictures |
The real problems are the scenes connecting
all the stops, during which Irving and Billy bond. Watching the prank scenes,
the audience has a tacit understanding with the movie to enjoy knowing that
Irving is really Knoxville while the others onscreen don’t. Once it’s just him
and Billy, though, Knoxville doesn’t drop the deception or even give a knowing look to
the audience, which feels like a belittling betrayal of Bad Grandpa's agreement between
movie and viewer.
Bad
Grandpa wants to function both as a Borat-style prank movie and as an
immature, road trip comedy but it can’t have it both ways and doesn’t commit
enough to either one. The bonding scenes seem like a prank on the audience and
the prank scenes on others are too few and too mild. Johnny Knoxville should’ve just
made Jackass 4.
No comments:
Post a Comment