Tuesday, 31 December 2013

SPECIAL: The Worst Movies of 2013

By Chris Luckett

2013 hasn’t had as many great movies as recent years, but it’s certainly had its share of stinkers. A Bottom Ten list doesn’t even do justice to some of the rotten pieces of cinema that have come audiences’ way in the last 12 months. As bad as Paranoia, Safe Haven, and Identity Thief may have been, they all at least had some redeemable value. The following movies did not. If you have the choice to watch one of these, refrain.

Dishonourable mentions: Pain & Gain, G.I. Joe: Retaliation

10. 21 & OVER

A tired re-tread of The Hangover – which, let’s be honest, was already a re-tread of Dude, Where’s My Car? – with three teens that feel like first-draft rejects from Project X. The plot is dumb, the jokes are puerile, and the characters are incredibly racist. If 21 & Over achieves anything, it’s leaving you with a stupidity-driven headache to rival the hangovers contained within.

9. HANSEL & GRETEL: WITCH HUNTERS

Photo: Paramount Pictures
After The Hurt Locker, The Town, Mission: Impossible – Ghost Protocol, and The Avengers, Jeremy Renner was on an unbelievable hot streak. That ended with a loud thud when this stinker limped into theatres in January. Dealing with the fairy-tale characters as grown-ups had potential, but turning them into witch hunters for hire was an incredibly bone-headed move that reeks of desperation. Jeremy Renner deserved so much better than this.

8. THE MORTAL INSTRUMENTS: CITY OF BONES

The post-Harry Potter era is stuffed with YA adaptations, from The Hunger Games to Beautiful Creatures, but even the worst of the Twilight sequels is better than this horribly derivative and boring mess. Even when the movie occasionally gets mildly interesting, the horrendous CGI takes you right out of the experience. The Mortal Instruments book series has six entries in it. Based on this first movie, there likely won’t be five sequels.

7. MOVIE 43

A great cast does not necessarily make a great movie. DVD bargain bins are littered with dreck starring gargantuan casts of solid actors, like Valentine’s Day, North, and Rat Race. After the filmmakers managed to get Hugh Jackman and Kate Winslet to film a scene for it years ago, they tricked two dozens other famous faces to film scenes and stitched them together into a horrible movie. Almost all the actors have denounced their involvement in Movie 43. If you let it eat 90 minutes of your life, so will you.

6. RIDDICK

Pitch Black was good, but not great. The Chronicles of Riddick was worse, but wasn’t completely awful. Riddick is the absolute worst of the trilogy. Every scene is derivative of scenes from much better movies, like Aliens, Jurassic Park, The Road Warrior, Starship Trooper, and even the first Pitch Black. It’s the worst movie Vin Diesel has made – and in the shadow of Babylon A.D. and The Pacifier, that’s saying something.

Photo: The Weinstein Company
5. SCARY MOVIE 5

The Scary Movie franchise has one of the worst track records in modern cinema. Even the first one, which was the best, was pretty bad. The sequels have all been terrible, but usually each had at least one or two mildly funny moments. Scary Movie 5 is the new low point for the series, with all the jokes aiming at the ground and still missing the landings.

4. GETAWAY

Remember when, as a kid, you’d go over to a friend’s house and they wanted to show you their new video game, but wouldn’t let you play and you just watched them race around and shoot without getting to participate yourself? That’s what watching Getaway feels like. Ethan Hawke and Selena Gomez are ordered to commit countless crimes by an evil mastermind whose ultimate motives turn out to be so stupid, the already brainless racing movie sputters to an absolutely moronic end.

3. A HAUNTED HOUSE

It’s a truly bad year when the worst Scary Movie sequel still isn’t the worst horror-genre parody of it. After the atrocious Scary Movie 2, White Chicks, Norbit, and Little Man, Marlon Wayans’s A Haunted House continues his streak of making some of the worst excuses for comedies in the medium of film. Not a single “joke” can elicit even a smile from anyone with an IQ higher than that of a six-year-old’s. And even a six-year-old would probably find its humour too immature.

2. BATTLE OF THE YEAR

Dance movies are Guitar Hero/Rock Band games of modern cinema. They’re all basically the same, regardless of the franchise or the number at the end of the title. Battle of the Year is a new low for the sub-genre, cramming every clichéd character and plot development into a story about a breakdancing contest that involves students society has given up on, a alcoholic has-been who comes out of retirement to train them, and a climactic dance-off with every stake on the line. The movie works best as a party game, competing to guess what hackneyed line will be said next.

1. GROWN-UPS 2

Photo: Columbia Pictures
The Waterboy. Little Nicky. Eight Crazy Nights. I Now Pronounce You Chuck & Larry. You Don’t Mess with the Zohan. Grown-Ups. Just Go with It. Jack and Jill. That’s My Boy. Grown-Ups 2 is worse than pretty much all of them. The first five minutes includes a deer urinating on Adam Sandler’s face, a teenage boy being caught masturbating in the shower by his mother, and the said deer urinating all over the naked son while his mother watches. And the other 95 minutes are even worse.

Saturday, 28 December 2013

REVIEW: The Secret Life of Walter Mitty

By Chris Luckett

3½ stars out of 5

1947’s The Secret Life of Walter Mitty was designed as nothing more than a showcase for Danny Kaye’s comedic talents, with the boring protagonist constantly daydreaming extended sequences wherein Kaye could play various wacky characters. Ben Stiller’s remake improves on the original by making Mitty’s actual story more interesting and rewarding, but the movie is still hindered by toothlessness and predictability.

Photo: 20th Century Fox
Stiller plays Walter Mitty, a negative asset manager at LIFE Magazine during the publication’s final month. Mitty is a man who’s done nothing and achieved nothing. When he’s not shyly pining after his co-worker Cheryl (Kristen Wiig), he zones out into daydreams where he imagines being brave and adventurous.

Tasked with supplying the cover photo for the last issue, Mitty finds the negative is missing. Using the opportunity as a way to get closer to Cheryl, he undertakes a quest to track down the off-the-grid photographer of the shot (Sean Penn), leading Mitty across mountains, through oceans, away from volcano eruptions, and toward self-discovery.

Photo: 20th Century Fox
The first third of The Secret Life of Walter Mitty is stuffed with tiresome daydream sequences that add nothing to the movie and will only please fans of Stiller’s zanier work. As Mitty mounts his own adventure, though, he stops daydreaming them, and the movie becomes dramatically richer and more rewarding. By being given time to breathe, the awake Mitty is much more interesting than any of his imagined selves.

Stiller is smartly subdued in the titular role, toning down the spastic antics he’s often known for in favour of a subtle performance more akin to his recent work in Greenberg. Wiig also dials down her mania, resulting in the most defusing and charming character she’s played so far.

Photo: 20th Century Fox
Good performances can’t make up for a lackluster script, though. Everyone in the film is so good-hearted that you naturally root for them all to succeed (except for the villainous downsizers, but even they have their redemptive moment by the end). By being so optimistic and hopeful, the movie loses easy laughs within its reach, sticking to a neo-Frank Capra tone that hinders as much as it helps. Worse still is that the plot ends up being so predictable, it’s often easy to guess, at any given moment, what the following scene or the next line of dialogue will be.

The Secret Life of Walter Mitty does well with pretty much everything it does try, but by aiming low, it never impresses or surprises. Stiller and Wiig are enjoyable and you’ll leave the movie feeling generally satisfied, but it could have been much more rewarding if only the makers of the movie had not settled for simply being good.

Thursday, 12 December 2013

GOLDEN GLOBES: 2014 Nominations

By Chris Luckett

Artwork: Hollywood Foreign Press Association
The second-biggest movie awards of the year came out with their nominations this morning. Here's a look at this year's nominees.

Best Picture (Drama)

12 Years a Slave
Captain Phillips
Gravity
Philomena
Rush

Best Picture (Musical/Comedy)

American Hustle
Her
Inside Llewyn Davis
Nebraska
The Wolf of Wall Street

Best Actor (Drama)

Chiwetel Ejiofor (12 Years a Slave)
Idris Elba (Mandela: Long Walk to Freedom)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Robert Redford (All is Lost)

Best Actress (Drama)

Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Emma Thompson (Saving Mr. Banks)
Kate Winslet (Labour Day)

Best Actor (Musical/Comedy)

Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (The Wolf of Wall Street)
Oscar Isaac (Inside Llewyn Davis)
Joaquin Phoenix (Her)

Best Actress (Musical/Comedy)

Amy Adams (American Hustle)
Julie Delpy (Before Midnight)
Greta Gerwig (Frances Ha)
Julia Louis-Dreyfus (Enough Said)
Meryl Streep (August: Osage County)

Best Supporting Actor

Barkhad Abdi (Captain Phillips)
Daniel Bruhl (Rush)
Bradley Cooper (American Hustle)
Michael Fassbender (12 Years a Slave)
Jared Leto (Dallas Buyers Club)

Best Supporting Actress

Sally Hawkins (Blue Jasmine)
Jennifer Lawrence (American Hustle)
Lupita Nyong'o (12 Years a Slave)
Julia Roberts (August: Osage County)
June Squibb (Nebraska)

Best Director

Alfonso Cuaron (Gravity)
Paul Greengrass (Captain Phillips)
Steve McQueen (12 Years a Slave)
Alexander Payne (Nebraska)
David O. Russell (American Hustle)

Best Screenplay

Spike Jonze (Her)
Bob Nelson (Nebraska)
Jeff Pope & Steve Coogan (Philomena)
John Ridley (12 Years a Slave)
Eric Warren Singer & David O. Russell (American Hustle)

Best Animated Film

The Croods
Despicable Me 2
Frozen

Best Foreign-Language Film

Blue is the Warmest Colour
The Great Beauty
The Hunt
The Past
The Wind Rises

Best Original Score

12 Years a Slave
All is Lost
The Book Thief
Gravity
Mandela: Long Walk to Freedom

Best Original Song

"Atlas" (Catching Fire)
"Let it Go" (Frozen)
"Ordinary Love" (Mandela: Long Walk to Freedom)
"Please, Mr. Kennedy" (Inside Llewyn Davis)
"Sweeter Than Fiction" (One Chance)

Sunday, 1 December 2013

REVIEW: Frozen

By Chris Luckett

4½ stars out of 5

Still: Walt Pictures Pictures
From 1989 to 1994, Disney animation was at the top of its game. Starting with The Little Mermaid and continuing through Beauty and the Beast, Aladdin, and The Lion King, Disney found critical and commercial success that rivalled anything they’d earned before. The arrival of Pixar in 1995 knocked Disney off their throne, which they’ve only recently reclaimed with Tangled and Wreck-It Ralph. Frozen, though, is the best animated movie Disney themselves have made in almost 20 years.

Based on Hans Christian Andersen’s “The Snow Queen,” Frozen tells the tale of two princess sisters, Elsa and Anna. Elsa was born with a Midas touch of ice, and when she and Anna are playing one day, Elsa nearly kills Anna. After that accident, Elsa stays in her room for a decade, until her coronation day. Her powers are kept secret from the entire kingdom of Arendelle, including from Anna, who lost the memories of them.

Still: Walt Disney Pictures
At the coronation ceremony, Elsa loses control of her powers and sends Arendelle into an eternal winter. Elsa flees and secludes herself in a faraway ice castle. Anna ventures after her, to convince her to thaw the land out, assisted by a prince, his reindeer, and a snowman Elsa enchanted as a child.

Frozen represents a near-perfect fusion of modern Disney and early ‘90s Disney. It covers similar territory as Tangled, but brings back the theatrical musical numbers that were once a staple of animated Disney fare. The songs are insanely catchy and grandly operatic, recalling classics like “Part of Your World” and “Can You Feel the Love Tonight.” And the cast of Kristen Bell, Idina Menzel, Josh Gad, and Jonathan Groff are all magnificent.

Still: Walt Disney Pictures
As great as the songs are, they’re almost all in the first 45 minutes. The movie loses a little of its magic in the second half, once the characters stop breaking into song. As well, at just 90 or so minutes, Frozen’s a little too lean for its own good. An extra 20 minutes in the third act would’ve made for an even more powerful movie with a stronger ending.

Minor quibbles aside, though, Frozen is nearly flawless entertainment that not only redeems a disappointing year for animation but gives Disney their best animated film since The Lion King. If this is the future of Disney, Pixar may soon lose their crown.