By Chris Luckett
3½ stars out of 5
1947’s The
Secret Life of Walter Mitty was designed as nothing more than a showcase
for Danny Kaye’s comedic talents, with the boring protagonist constantly
daydreaming extended sequences wherein Kaye could play various wacky characters.
Ben Stiller’s remake improves on the original by making Mitty’s actual story
more interesting and rewarding, but the movie is still hindered by
toothlessness and predictability.
Photo: 20th Century Fox |
Stiller plays Walter Mitty, a negative
asset manager at LIFE Magazine during the publication’s final month. Mitty is a
man who’s done nothing and achieved nothing. When he’s not shyly pining after
his co-worker Cheryl (Kristen Wiig), he zones out into daydreams where he
imagines being brave and adventurous.
Tasked with supplying the cover photo for
the last issue, Mitty finds the negative is missing. Using the opportunity as a
way to get closer to Cheryl, he undertakes a quest to track down the
off-the-grid photographer of the shot (Sean Penn), leading Mitty across
mountains, through oceans, away from volcano eruptions, and toward
self-discovery.
Photo: 20th Century Fox |
The first third of The Secret Life of Walter Mitty is stuffed with tiresome daydream
sequences that add nothing to the movie and will only please fans of Stiller’s
zanier work. As Mitty mounts his own adventure, though, he stops daydreaming
them, and the movie becomes dramatically richer and more rewarding. By being
given time to breathe, the awake Mitty is much more interesting than any of his
imagined selves.
Stiller is smartly subdued in the titular
role, toning down the spastic antics he’s often known for in favour of a subtle
performance more akin to his recent work in Greenberg.
Wiig also dials down her mania, resulting in the most defusing and charming
character she’s played so far.
Photo: 20th Century Fox |
Good performances can’t make up for a lackluster
script, though. Everyone in the film is so good-hearted that you naturally root
for them all to succeed (except for the villainous downsizers, but even they
have their redemptive moment by the end). By being so optimistic and hopeful, the
movie loses easy laughs within its reach, sticking to a neo-Frank Capra tone
that hinders as much as it helps. Worse still is that the plot ends up being so
predictable, it’s often easy to guess, at any given moment, what the following
scene or the next line of dialogue will be.
The Secret
Life of Walter Mitty does well with pretty much
everything it does try, but by aiming low, it never impresses or surprises.
Stiller and Wiig are enjoyable and you’ll leave the movie feeling generally
satisfied, but it could have been much more rewarding if only the makers of the
movie had not settled for simply being good.
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