By Chris Luckett
2½ stars out of 5
The 1973 film The Wicker Man was quite a revolutionary horror movie in its day,
up until its reputation was largely sullied by the 2005 remake starring Nicolas
Cage. It’s a shame, because the original had a powerful and shocking ending
that knocked people sideways. The remake, meanwhile, messed up the end so badly
that the film become a lightning rod of mockery and animated gifs.
Image property of Anchor Bay Films |
The oddest thing about the new horror film Nothing Left to Fear is that it has
essentially the same plot as The Wicker
Man. Quality-wise, it lies somewhere between the original and the remake.
Rebekah Brandes plays Rebecca, the elder
daughter of a pastor father. Father Dan (James Tupper) has been hired as the
new pastor for the small, isolated town of Stull, Kansas and brings his wife
(Anne Heche) and three children (Brandes, Jennifer Stone, and Carter Cabassa)
with him. While Stull seems idyllic, though, suspicious things slowly begin
happening to the family and the townspeople seem to be hiding something from them.
Image property of Anchor Bay Films |
Most of the movie is nothing special. The
story is stale, the ending’s predictable, the directing’s adequate, and most of
the acting is wooden. The large exception is Brandes, who makes her
two-dimensional character seem real and gives a riveting performance that holds
even the slowest scenes. Clancy Brown, a character actor with credits in
everything from Lost to The Shawshank Redemption, is also quite
good as the previous pastor of Stull.
Image property of Anchor Bay Films |
Borrowing its central plot from The Wicker Man isn’t enough for Nothing Left to Fear, either. Various
parts of the movie also recall scenes and plotlines from The Grudge, Scream, The Ring, Phantoms, The Strangers, The Village, Halloween, and Silent Hill.
Even the scenes that aren’t largely stolen seem vaguely familiar.
Brandes’s performance goes a long way to
making the movie work, as does the effective camerawork, but Nothing Left to Fear is not a great
movie. Considering its reheated plot and budgetary restraints, though, it’s a
better movie than it really has any right to be.
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