By Chris Luckett
4 stars out of 5
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Photo: Mongrel Media |
The French coming-of-age drama Blue is the Warmest Colour has been
making headlines, but not for the right reasons. The story involves two young
women who fall in love. Like any movie about a realistic romance, there are sex
scenes, which have become all that news articles and the PTC have been able to
talk about. It’s a huge disservice to a movie that deserves to be talked about
because of its quality, not because of its content.
Adèle (Adèle Exarchopoulos) is a high-school
girl trying her best to be happy in a heterosexual relationship and feeling
like some part of her is broken. Then one day, while crossing the street, she
spots Emma (Léa Seydoux), a slightly older girl with vibrant blue hair, and
Adèle’s world opens. It’s a story that has been told similarly before, but
never like this.
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Photo: Mongrel Media |
In France, the film was called The Life of Adèle: Chapters 1 & 2,
and the movie indeed feels like two distinct halves. The first half, as Adèle
and Emma fall in love and build a relationship together, is wonderful and
hypnotic. The second half, as jealousies and time chip away at their love,
feels more forced. The first two-thirds of the movie fly by, but after one
particularly convoluted argument in the second half, the movie loses its
momentum and never quite gets it back.
The sex scenes in the movie are graphic
enough to have garnered an NC-17 from the MPAA and a hard R from the Ontario
Film Board, but they serve a valuable purpose to the story and make up a rather
small percentage of the three-hour running time.
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Photo: Mongrel Media |
The real showcase of the movie is its
acting. Both Exarchopoulos and Seydoux are superb, creating a relationship that
rarely feels anything but real. The extremes they went to not just physically
but emotionally are the stuff of awards, and it’s not hard to see why they each received one at Cannes earlier this year.
Blue
is the Warmest Colour is a powerful modern romance
with excellent performances and a new story to tell. If the second half had only
been as strong as the first, it also would have been one of the best movies of
the year.
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