By Chris Luckett
1½ stars out of 5
Photo: Universal Pictures |
Oldboy’s premise is that Joe (Josh Brolin) – a degenerate businessman who
hits on his clients’ wives, drinks every chance he gets, and doesn’t visit his
3-year-old daughter – is kidnapped one 1993 night and awakens in what looks at
first like a motel room but is actually a personal prison. The room’s window is
fake and the only door is bolted shut.
After resignedly giving up hope of escaping,
Joe turns to his only window to the outside world, the in-room TV. He discovers
on the news that his ex-wife has been murdered, his daughter has been adopted,
and he has been named the killer (thanks to planted DNA).
Photo: Universal Pictures |
The concept is preposterous and hinges on
the ending giving an answer of such scale that it overcomes that. The original,
despite its occasional missteps, stuck its landing with a jaw-dropping turn of
the plot in its climax; the 2013 version trips and stumbles with it, in part
due to Sharlto Copley playing his villainous role as if he has a maniacal
moustache to twirl.
Photo: Universal Pictures |
As its own movie, the new Oldboy is unlikeable, gruesome and dull. As a remake, it forgets that Joe’s revenge, deep down, is less about exacting vengeance than about trying to understand his imprisonment. By the time Spike Lee’s Oldboy gets to its answers, nobody really cares what the question was.
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