By Chris Luckett
5 stars out of 5
Photo: Warner Bros. |
Sometimes, brilliant movies have concepts
that sounds incredibly dumb when you first her them summed up in a single
sentence. (Who honestly expected a movie about the creation of Facebook to be very
interesting before they saw The Social
Network, for example?) The new movie Her
is, boiled down to a single sentence, about a man falling in love with his
computer. Explored using the nuances and flavours afforded by a feature-length
running time, though, Her is an
absolutely magnificent movie.
Her takes places in the near-future, probably just 15 or 20 years from
today. Fashions have changed, skyscrapers have grown taller, and technology has
advanced. Despite futuristic touches, though, the world of the movie is very
much our own.
Theodore (Joaquin Phoenix) works for BeautifulHandwrittenLetters.com,
a service that composes personal letters on behalf of people too preoccupied
with technology to write letters themselves. Theodore’s still hurting from a
recent divorce and feels not just lonely but alone.
Photo: Warner Bros. |
Then he gets OS1, “the world’s first
artificially intelligent operating system.” As soon as Theodore answers the
setup question of whether he’d like it to have a male or female voice, Her begins down a dangerous and thought-provoking
path that reels you in and forces you to watch it all the way down its twisted
rabbit hole.
The operating system in the movie, which
dubs itself Samantha and is blessed to have Scarlett Johansson’s voice, gets to
know what Theodore likes and tailors her system to his lifestyle’s needs. Being
intelligent and self-aware in her own right, Samantha also is capable of
learning and adapting, leading to her continuous “improvement,” both in her
eyes and in Theodore’s. As they each begin to develop feelings for the other, Her slowly begins exploring territory
that is at once fascinating and unsettling, walking a delicate line without
ever becoming ridiculous.
Photo: Warner Bros. |
Her touches on every emotion that a movie really can. Over the course
of the film, it’s funny, it’s worrisome, it’s sad, it’s joyous, it’s
infuriating, it’s heart-warming, and it’s disturbing. (Often, it’s several at
once.) It’s an incredibly rich experience that tackles realistic, modern
romance in a remarkably clever way, while also containing important messages
about technology and intelligent insights into the value of love in any form.
Told over a two-second sentence, Her sounds pretty dumb. Told over a
two-hour story, it’s one of the very best films of 2013.
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